Mozart Song List4/14/2021
Haydn had just published his set of six quartets, Op. 33, which are thought to have been a stimulus to Mozart in returning to the genre.The Kchel catalogue contains a complete, chronologically ordered, list.
![]() Symphony No. 25 ). Not all thematic groups of Mozarts works have a separate numbering that is generally accepted: Kchel only numbers symphonies (1 to 41), piano concertos (1 to 27, leaving out some early transcriptions by Mozart) and a few other groups. On the other hand, for most chamber music and vocal music there is no such numbering (or at least no generally accepted one). According to most recent investigations, Mozart wrote not just the 41 symphonies reported in traditional editions, but up to 68 complete works of this type. However, by convention, the original numbering has been retained, and so his last symphony is still known as No. Some of the symphonies (K. Many of them were given numbers past 41 (but not in chronological order) in an older collection of Mozarts works ( Mozart-Werke, 18771910, referred to as GA), but newer collections refer to them only by their entries in the Kchel catalogue. ![]() It is quite likely that he hoped to publish these three works together as a single opus, although actually they remained unpublished until after his death. One or two of them might have been played in public in Leipzig in 1789. The movements of these concertos are arrangements of keyboard sonatas by various contemporary composers (Raupach, Honauer, Schobert, Eckart, C. P. E. Bach ). There are also three unnumbered concertos, K. J. C. Bach. Concertos 7 and 10 are compositions for three and two pianos respectively. The remaining twenty-one are original compositions for solo piano and orchestra. Among them, fifteen were written in the years from 1782 to 1786, while in the last five years Mozart wrote just two more piano concertos. They are notable for the beauty of their melodies and the skillful use of the expressive and technical characteristics of the instrument, though Mozart probably never went through all the violin possibilities that others (e.g. ![]() Alfred Einstein notes that the violin concertolike sections in the serenades are more virtuosic than in the works titled Violin Concertos.). They were written for Mozarts lifelong friend Joseph Leutgeb. The concertos (especially the fourth) were written as virtuoso vehicles that allow the soloist to show a variety of abilities on the valveless horns of Mozarts day. Almost everything that he wrote for piano was intended to be played by himself (or by his sister, also a proficient piano player). Examples of his earliest works are those found in Nannerls Music Book. Between 1782 and 1786 he wrote 20 works for piano solo (including sonatas, variations, fantasias, suites, fugues, rondo ) and works for piano four hands and two pianos. Note the order of the two instruments, for the most part, these are keyboard-centric sonatas where the violin plays a more accompanying role. In later years, the role of the violin grew to not just a support to the other solo instrument, but to build a dialogue with it. In Vienna Mozart is believed to have heard the op. Joseph Haydn, and had received from them a deep impression. Haydn had just published his set of six quartets, Op. Mozart in returning to the genre.
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